Why Write a Thesis?: Alternatives to the traditional route

The thesis as the gateway to a degree is a time honored tradition, dating back to the middle ages. First, it demonstrates the breadth and scope of master's student's knowledge. Second, the long-suffering, mostly independent work put into it indicates that they are ready to work in their fields. Or.. does it?

They want more time in the lab than behind the screen.

This still-new millennium has so far been a time to rethink academic traditions. Collaborative projects are becoming more en vogue, and in fact, more practical.  And if we're being practical, what does writing really have to do with showing one's knowledge in fields like engineering and chemistry? The long-form monograph is having to work hard to argue for its value, especially when even academic readers today have shortened attention spans and prefer to consume data and ideas in more digestible nuggets. Tables upon tables with pages upon pages of analysis? Please no! How about an interactive infographic?

Universities are notoriously slow to change anything but their logos, but alternative theses are nevertheless beginning to gain a foothold at graduate programs around the world, and in the US. So, before you dive into a master's degree, perhaps consider whether you really want to write a thesis? And where can you go to school that will allow you to forgo that long journey?

Some thesis alternatives:

Juried Lecture

A juried lecture is a bit like the oral defense of the thesis... but without a thesis. Granted, since the written component is not as substantial (you may have powerpoint slides, handouts, anything that makes sense for attendees at a lecture), you will be graded harder on the oral and presentational components of your work. Your advisors attend this as they would a thesis defense. This option seems excellent for a student who wants to continue to teach rather than focus on research. Or for someone who is flipping their degree into a more communication oriented role.

Should they write a paper about it? Or show us how it works?

Project and Presentation and/or Report

This option is available at some schools (including NIU) in departments such as Engineering. Rather than spending months working on a written document, the student is able to focus on project management, down to the nuts and bolts and blueprints. The project must be reported on or presented, in order to have something to submit for the degree requirement. Do you want to study something that lends itself better to a project than a "paper"?

Multiple Article Publications (or 3-Part Thesis)

Some departments, especially in the sciences where frequent publication is important and somewhat easier to do than in the humanities, offer a publication option. Often this will consist of  publishing multiple short articles, or writing multiple short article length pieces and submitting those as a thesis. The article size stays manageable, unlike the onerous task of producing a monograph. Some departments at NIU offer this option. Check with graduate directors in the departments you are interested in to find out the details.

Collaborative Thesis

Collaboration is key! It's key to avoiding reproducing work in the sciences, it's key to understanding one another in the social sciences, and it's key to getting something off the ground in engineering, where not everyone can know everything! Collaboration across disciplines is something embraced more and more by universities too. At NIU, we see geologists working with geographers (seems likely) but we also see computer scientists working with geographers and dietitians. Hmm. All of these crossovers, likely and not so likely, lead to better research. We have always known that two heads are better than one. So it is a shame that universities are moving very slowly when it comes to "allowing" a collaborative thesis. While collaboartive work is often encouraged, scholars are producing separate theses and dissertations. Perhaps we could simplify this, and even make the impact of each scholar's work farther reaching.

In the future:

Maybe you could perform your thesis?

Perhaps none of the above thesis alternatives are really alternative enough for you? Consider that in the arts, a show or a recital is often the student's "thesis." Maybe thinking completely outside the box of "school project" or "graduate thesis paper" could lead to even more options for the master's candidate.

Some suggestions we've gotten are a documentary, an interactive website, a database, or a new translation with an introduction. All of these sound as if they would take immense knowledge of a subject, and would easily demonstrate proficiency in researching in that subject.

Who knows how long it will take the slow mechanisms of the university system (and culture) to allow for such potentially amazing collaboration and creativity in research. But I hope we don't have to wait another millennium.

This is Part Two of a two-part series on Temple Grandin and the importance of "different" minds  Last month we talked about how to succeed in higher education in spite of mental disabilities (and how to excel because of them!). 

This month we discuss what kinds of contributions different minds like Grandin's (who is autistic) can bring to higher education and to university research. Today she is a renowned professor of Animal Science, but Grandin unexpectedly stumbled upon her talent for working with animals when her poor high school behavior landed her at a special school, one where kids of all abilities were put to work as ranchers. Years later, combining hands-on ranching experience with hard-won knowledge, Grandin earned a Ph. D. in Animal Science. Not your typical academic path!

So what is unique about the contributions of someone like Temple Grandin to scientific research? Her hands-on approach, necessitated by her autism, stuck with her as she began her career as a scientist and author. For instance, she expects her students to think in concrete particulars, rather than abstract theories about animals. Animals don't care about your theories about them. They only have behaviors, not theories -- and behaviors we can observe and respond to. Grandin believes that her autism, which enables her to be present in the moment, helps her to connect with animals and to see why they behave the way they do. Her "walking in their path" approach to working with cattle in particular has resulted in significant discoveries that have changed the way slaughter houses and ranches contain and move livestock.


Grandin's research and developments enrich her classroom teaching, because she brings outside knowledge and novel approaches in front of students who are studied in textbook theories and laboratory work, but not necessarily experienced in field work or real world problems addressed by science. So Grandin's inability to be an ivory tower academic, a pure scholar, is really a valuable trait -- she can't do anything but tell it like it is, and show students how to do concrete things.

The concreteness of Grandin's work also allows for many collaborative opportunities. With projects in the field (sometimes a literal field!), many minds are needed to do the work, interpret the results, and write up the reports. Most of Grandin's peer-reviewed articles are based on collaborative work, or are co-authored. She relies on the writing abilities of others and on their abstract minds, but they rely on her for the nitty gritty details of experiments and inventions that solve real problems with animals, from pigs, to dogs, to cows, of course. Increased collaboration is one of the important ways that contemporary research is changing.

While Grandin's work is exceptionally groundbreaking, many more minds like hers, and other "different" minds as well, are invaluable to academic research, applied research, and classroom teaching. The university is adapting, and will continue to adapt, to the next generation of knowledge workers. They will have autism, ADD, mental health issues, and various learning disabilities, but they will be prepared for academic work -- all because education is finally capable of reaching many young people who could not be reached, even a decade ago. It could be the overactive mind of someone who can't focus, the empathy of someone who has lived a lifetime with depression, or the transposed figures seen by a student with dyscalculia that lead to new approaches in history, social science, and math. And these thinkers, working together with their neuro-typical peers to pick up all the pieces, may be the key to developing novel solutions for the practical problems of the 21st Century.

The Collaborative Dissertation

Soooo many authors...

Yesterday, I completed the drudgery that is teaching undergraduates how to cite their references in APA format. As we went through all the little details, commas here, periods there, I found myself marveling at how many papers had multiple authors. I always knew this to be the case for papers in the sciences and social sciences, but as I wrote all those names and "et als" out on the board I thought, "Why are scientists expected to write their own solo dissertations? None of these people are writing alone!"

Writing the dissertation can be the loneliest time in an academic's life. In the case of the humanities, it actually does reflect much of the work we will do once we get a job someday (please, please, please...). But in the case of the hard and soft sciences, that isn't so. Researchers in the fields most often work in teams. The American Sociological Association and the American Association for the Advancement of Science both offer extensive articles and blog posts on collaborating. Everyone is doing it!

So it seems that no one person can or should handle all the moving parts of a major experiment, be it conducting gene therapy on mice, or surveying survivors of assault. Science and social science require objectivity. Placing an experimental project meant to add original material to scientific discourse -- dissertations must be original contributions -- into the hands of an amateur scientist (the doctoral student), no matter how brilliant, seems like a recipe for existential and experimental trouble. Results could be compromised and things could be overlooked or fall through the cracks, when a researcher has to plan it all, do it all, document it all, and write it all up.

More importantly, for the students' sake, placing such a weight on the individual is not indicative of, or good training for, collaborative work that they will eventually engage in. It does them a disservice to expect such a strangely isolated project of them, at a time in their lives when pressure is high, pay is low, and finishing the project is the only thing that lies between them and their career. Weathering this experience as a team, or even as a partnership, could make it far more bearable and fruitful.

Looking at tissue cultures is more
fun with friends!

This is not to say that every science dissertation writer is actually going it all alone. Certainly, collaborative research feeds into students' dissertations and into professors' papers all the time. But no one but the writer is given top billing. Usually, only one student gets the Ph.D. for that dissertation. And where does that leave the others who put long days and nights into the scientific work that created it? Should working on other students' doctoral research grant a junior grad student a master's degree? Or should senior students simply plan and execute the entire project together, as equals?

A search for collaborative dissertations comes up thin. They are catching on in education, where all kinds of collaboration are non-competitive, daily occurrences (give me that lesson plan, eh?). Collaborative dissertations are, according to a 2015 paper, a "disruption" in composition studies. This is odd considering Comp teachers are teachers too. And in the sciences, the co-authored diss is still highly uncommon. However, some researchers and universities hope to change this.

NIU Chemistry students make one of
their colleagues disappear.

In 2014, two students at Saybrook University completed an important study on diabetes -- together! -- as their dissertation.  The dual-authored document is a far better model and far better practice for writing scientific papers for publication. Charlene Conlin and Carlene Phelps offer some awesome insight into the basic requirements of doing such work as a team:

• Mutual agreement on what the researchers intend for their dissertation, both in process and in outcome.
• Ego minimization when necessary to achieve the greater good.
• Organization in the form of intentions, goals, and timelines.
• Resiliency in the form of drive to keep going until both get to the finish line. (It seems particularly important to have someone else relying on to you to get done!)

You can read the rest of their advice and more about their study here.

Why collaborative dissertations have not caught on, seventeen years into this new millennium, I can't say. We've rethought every kind of document we create, from music to film to the news. But we still think of a dissertation as a monolithic monograph and a rite of passage, rather than a learning opportunity that will prepare students, especially those in the sciences, for a long life of collaborative work and collaborative writing. Why do you think we cling so tightly to an outdated dissertation model?

For more on the future of the dissertation, keep reading!

"I'm not sticking my hands in there unless someone else does it first!"

The Future of the Dissertation Is Already Here

This post was contributed by Carolyn Law, Thesis and Dissertation Advisor in the Graduate School at NIU

James Whiton: "Aren't you jealous?"

How did we get here?
To talk about the future of the dissertation, you must understand a little something about its past. To say the dissertation has changed over the centuries is an understatement.

The first three doctorates in the U.S. were awarded at Yale in 1861. A dissertation was required, but only one of the documents survives today, the notorious dissertation of James Morris Whiton. It was handwritten, of course, entirely in Latin--six whole pages on the subject, “Brevis vita, ars longa” (Rosenberg, 1961).

Today, the average length of a doctoral dissertation in the sciences is hovering around 200 pages. There was a dramatic surge in length between 1950 and 1990 (Gould, 2016, p. 28), probably for a number of reasons. For one thing, literature reviews over time have grown because, frankly, there’s just more literature to review now and that body of literature is more easily accessed by students. Also, new theoretical frameworks, methodologies, and experimental procedures are often more complex, unfamiliar, and difficult to explain in academic prose than in earlier eras.

But much of the change in dissertations over the course of the 20th century was conspicuously driven by technology. A dissertation in the 1950s was produced on a manual typewriter with carbon paper. Corrections were made with a razor blade. I wrote my own master’s thesis on an IBM Selectric typewriter. By the time I got to doctoral study in the early 1990s, computers were available, but not universally used.

Memories...

Big change was occurring in the access chain as well. A dissertation has always been a public document, but until very recently “public” did not mean “accessible.” Dissertations were typed directly or photocopied onto cotton-bond paper, bound, and shelved in research libraries. They were very rarely accessed and many (like two thirds of Yale’s PhD class of 1861) have been lost forever.

In 1938, a little firm in Ann Arbor began microfilming and archiving dissertations, mostly because they were a technology company in search of content and the massive stock of dissertations presented a perfect pool of material. UMI is today known as ProQuest International and it is the largest database and repository of electronic theses and dissertations (ETDs) in the world. In 2008, NIU made electronic submission of digital theses and dissertations (in PDF) mandatory. These documents are now discoverable and in some cases fully downloadable anywhere in the world, any time of day or night.

Recognizing the acceleration of technological change in the way research and scholarship are produced and shared in the 21st century, the Council of Graduate Schools convened a symposium in January 2016 on the future of the dissertation, citing “recent controversies about the purpose of doctoral education and the meaning of the dissertation” (Blackwell, 2015, p. 1). What came out of that meeting suggests that the future of the dissertation must include a heart-to-heart discussion of the role of doctoral education in general in the 21st-century knowledge marketplace. That’s changing too. More accurately, it has changed, but graduate education and its grand artifact, the dissertation, are lagging far behind the times.

Where do we go from here?
Graduate schools are just now beginning to grapple with three prominent issues arising in this evolving new-century context: authorship, access, and format. Some of the discussions we must continue to have include:

NIU students collaborating in a study lounge.

Collaboration and Coauthorship 
Most knowledge is created in groups, and in some disciplines the particular skills required to work in teams are absolutely essential to the successful conduct of an individual study as well as the professional development of the student-researcher. Shouldn’t dissertations be allowed to reflect that real-world process?

Open Access 
Knowledge that is not shared might as well not exist, and a dissertation that is not accessible fails to achieve one of its primary purposes. According to Maureen McCarthy (2016), Assistant Director of Advancement and Best Practices for the Council of Graduate Schools, “The idea of the dissertation moving a student from a private to a public phase resurfaced repeatedly” (p. 1) throughout the symposium in 2016. But the public nature of the dissertation in the 21st century is not the same as it was in the 20th. The internet, full-text downloadability, Creative Commons licensing, none of this was even imaginable when dissertations were routinely shelved in brick-and-mortar buildings. On the one hand, such accessibility furthers knowledge dramatically, but on the other hand, that accessibility may run counter to tenure review policies that privilege conventional publication. Shouldn’t dissertation authors choose their own levels of exposure? Shouldn’t students maintain control over their own intellectual property?

Alternative Formats 
In recent years, the idea of the monograph dissertation, an extended discourse on a single topic or experiment, has been challenged. The two most common complaints are that these papers take too long to write and they are not representative of the kinds of writing expected of working researchers. In economics, for instance, the norm now is the “three-article dissertation,” in which the author bundles a series of shorter pieces under a unifying introduction. In other disciplines, the very nature of the “document” itself is being questioned, introducing multimedia, graphical representation, and other digital forms into the dissertation genre. Shouldn’t dissertations be allowed to fly free from the cage of the page when it is technologically feasible and intellectually meaningful to do so?

Dance your dissertation!

These are just some of the questions, not thoughtfully crafted, negotiated policies. But we must ask the questions to arrive at the policies. And we need the policies soon. What do you think? We welcome your comments.








----------------------------------------------------
 References

Blackwell, J. (July 2015). Rethinking the dissertation: An opinion piece. GradEdge [Council of Graduate Schools], 4(6), pp. 1-3. 

Gould, J. (7 July 2016). Future of the thesis. Nature, 535, pp. 26-28.

McCarthy, M. (March 2016). The dissertation’s many futures [summary of the January 2016 symposium on the future of the dissertation]. GradEdge [Council of Graduate Schools], 5(3), pp. 1-3.

Rosenberg, R. (1961). The first American doctor of philosophy degree: A centennial salute to Yale, 1861-1961. The Journal of Higher Education, 32(7), 387-394. doi:10.2307/1978076

The Nontraditional Dissertation and You

Opening panels of Nick Sousanis's dissertation.

By tradition, the dissertation is a text-centered project rooted in conventions established long, long ago during the early days of print. Perhaps you agree it's high time to overturn the old ways. Perhaps you're ready to see academia break free from the shackles of tradition and embrace dissertations that depart from the monograph or that combine text with images and other media.        

The Nontraditional Dissertation

Actually, contemporary dissertators have already started clearing such nontraditional paths, and coverage of these developments makes for some interesting reading. In an entry last June, our blog touched on stories of pioneers of various sorts who have approached the dissertation in novel ways; the first story is amusing but also alarming (detailing how politicians and other officials in Russia have been buying dissertations on the black market!), whereas the second is intriguing and rather inspiring (documenting dissertations that take the form of interactive digital texts or even comic books). The advent of the comic-book dissertation was further detailed (with plenty of eye-catching graphics) in this 2014 article by Sydni Dunn at The Chronicle of Higher Education. Dunn devotes much of her piece to Nick Sousanis’s Unflattening, a dissertation in comic form that Sousanis produced at Columbia University and subsequently turned into a book, published in 2015 by Harvard University Press. Sousanis is now a professor at San Francisco State; you can read more about his work on comics as educational tools on his detailed website. Finally, you can find an abundance of relevant articles and media clips on the website of the #Alt-Academy, a place for humanities scholars to share their experiences at producing unorthodox dissertations and embarking on nontraditional academic careers.

Where Do You Fit In? 

Regardless of your field, you may wish to pursue a nontraditional dissertation. When I initially heard that term, the first thing that came to my mind was some kind of creative piece that involves more than just written text, something like Sousanis’s comic-book dissertation or a performance-based project one might produce in fields such as dance, theater, or film. But there is certainly room for nontraditional approaches in other fields such as education, engineering, or health and human sciences. In fields like these, research and post-degree goals may fit in nicely with a project comprised of stand-alone articles, reports, or digital materials (instead of a unified set of dissertation chapters).

If you're contemplating a nontraditional route for your dissertation (or thesis), here are three main points to consider as you make your plans.

1. Acceptability. How enthusiastically will your committee members accept the idea? You obviously need to get approval from your director and other readers as you prepare your project's proposal. At this stage, you'll most certainly need to inform them of any plans you may have for out-of-the ordinary methods or innovative presentations of results.

2. Marketability. How will a nontraditional project enhance your short-term and long-range career prospects? 

3. Flexibility. How willing and able are you to make changes to your nontraditional document, your methods of displaying it, or to the way it mixes textual innovations with conventional formatting requirements? Note that certain features in complex multimodal files may not display effectively on platforms like ProQuest (or the file may exceed the size limit).   

And, by the way, if you're already working on a nontraditional project (or if you've completed one), we'd be thrilled if you told us a little about your experiences in the comments section below!

Nontraditional in Form: Your ETD 

Of course, compared to a traditional dissertation or thesis from the distant or even more recent past, the document you eventually complete will be inherently nontraditional: no matter how conventional or non-digital it is in execution (whether you develop it from handwritten drafts, lab experiments, fieldwork, studio sessions, or performances), you must convert the report of your defended piece (conventional, innovative, or somewhere in between) into a PDF file that can be read and distributed electronically. Remember that we provide step-by-step guidelines for submitting your file as an electronic thesis/dissertation (ETD) on our webpage. Good luck with all your work as you progress to that final stage!

In the News (3)

A couple of weeks ago I stumbled across the strangest article about dissertations and the Russian black market. After reading the piece, I knew that it was time for another installment of graduate degrees in the news!


"The Craziest Black Market in Russia" by Leon Neyfakh (click here)

Last year, a prominent member of President Putin's United Russia party was accused of plagiarizing his dissertation. Neyfakh comments that "more than 1,000 high-achieving , well-heeled Russians . . . have recently been caught plagiarizing large parts of their dissertations." And the majority of these individuals . . . are politicians!!

Apparently, these individuals -- politicians, judges, doctors, police officials!! -- are paying ghost writers to write their dissertation for them. In some cases, the ghost writer copies and pastes someone else's work, passing it off as an original piece of research, and then hands it off to the person who hired them. Neyfakh reports on a number of companies advertising their services as dissertation ghost writers. Apparently, it is big business.

A volunteer organization known as Dissernet is responsible for exposing instances of high-profile plagiarism. Thus far, the group has uncovered 5,600 cases of suspected plagiarism. Consequently, Dissernet has been the target of reprisal by the individuals accused of plagiarism.

The article is brilliant. You might think that this is a spoof, but it is not. Published in Slate -- not The Onion -- I started off shocked while reading, but by the end I was laughing my head off. This is perfect beach reading.


"PhDs Embrace Alternative Dissertations" by Vimal Patel (click here)

In 2014, Nick Sousanis successfully defended his dissertation on visual thinking at Columbia University. The remarkable aspect of this story has to do with the fact that Sousanis wrote his dissertation in the format of a comic book. According to Patel's article,

"For a variety of reasons, humanities programs at many colleges have started to allow dissertation formats to veer from the traditional book-length monograph. These projects have taken the form of a suite of three or more papers, a documentary, an interactive analysis of a text, or even a comic book."

Despite this fact, many departmental hiring committees continue to prefer candidates who write traditional dissertations. They are considered the "gold standard" for tenure track teaching jobs. However, for graduate students not interested in pursuing work in academia, an alternative dissertation may be ideal. For instance, Jesse Merandy, a Ph.D. candidate in English, is creating a "game for mobile devices that tells users about the life and work of Walt Whitman as they walk Brooklyn Heights, where the poet lived." His project proved invaluable in landing a job helping professors and students with digital projects.

I was fascinated by this discussion of alternative dissertations and started to wonder what a non-traditional dissertation might look like in fields other than the humanities. Also, Patel includes an invaluable piece of advice for graduate students -- speak with your thesis or dissertation director about your career interests before you start writing your thesis or dissertation. Your career hopes may be an important factor when deciding to write a traditional or non-traditional thesis or dissertation.