Co-Working for Knowledge Workers

by Robyn Byrd

I'm firmly lodged in my third "stall" phase of writing the dissertation. First I stalled on the proposal; then I passed the defense after 6 months of rescheduling. Next I stalled on Chapter 2; but I pushed through that (plus an introduction) this summer by going on a distant, week-long retreat. With four chapters and all revisions remaining after a full year of being ABD...I need a plan. One that doesn't involved driving 900 miles away from everything.

How can I recreate that distraction free, work-friendly environment I found so far away? I didn't hide in the woods to work like Thoreau or Nietzsche, even though I was bunking at a house in the idyllic Catskills. Every day I drove to the nearest tiny town to work at a bookstore with a coffee shop, where many locals sat at large tables with reading lamps, and worked on writing, telecommuting, or whatever they needed to do. It was THE THING to get me working. I am hoping I can recreate this atmosphere through local co-working.

There are a few options for co-working, depending on where you live and how much cash you can spare.

Co-Work Office Spaces:

It sounds funny to pay to work, but you can and should do just that if you can afford it. Co-working office spaces provide everything you need: wi-fi, coffee, water, desk space, printers, pens, and so on. All you need to bring is a laptop! Some of these spaces are more collegiate than others. People arrive at set times and keep each other accountable, and even have the water cooler banter you'd expect in the corporate world. Other spaces are more quiet and people keep to themselves.

25N Coworking in Geneva, IL
photo courtesy 25N Coworking

Personally I would like to find a collegiate space where I can report on my days off as if it's a second job. Because technically, it is my second job, and I'm slacking pretty hard at it.

Visit co-work spaces near you to check out the culture and environment before signing up. (I'm doing that this month.) This can start as low as about $100 per month, which is a pittance if it means your dissertation is getting written. (Note the passive voice there after my months of stalling... what I mean to say is you are writing your dissertation.) Many co-working spaces also offer higher cost plans that include perqs like assigned desks and lockers for your books.

The only caveat I anticipate about these spaces is that I might not fit in. Dissertation writing is a weird thing!

Public Library Work Spaces:

"Public" is the key word here. The public library is an excellent place to work that offers many of the conveniences and tools of the university library -- but it gets you away from the university! Working in THAT building, the school's library, can be just as distracting and psychologically disadvantageous as working from home. Changing it up by using a space that is still conducive to knowledge work, yet is less familiar and full of people doing different sorts of things, can help you work.

Treat it like an appointment! Some libraries have dedicated study rooms that you can reserve for a couple of hours at no cost. Make a date of reserving one on your thesis work days. You'll have access to everything you need, and you can even search for a library with a coffee shop attached or nearby. The only cost associated with this is the commute, and you'll have to bring everything with you every time.

I have used public libraries this way ever since I started grad school, because the university library had lost its draw for me by then. They are very comfortable and welcoming.

A public library's shared work space, Naperville, IL

Monthly Meet-Ups:

Meeting once a month may not sound like much, but scheduling and hosting a meet-up of busy people probably can't happen more often than that. Though, if you think about it -- meeting once a month for a few dedicated hours means tens of hours of writing over a year! You could use these to get through a chapter's worth of work, if not more.

Several of my colleagues host informal meet-ups in their homes or in seminar rooms on campus. They keep each other accountable and share an enormous task that they all understand (the latter, you can't get from a co-work space).

If you are a student or a local to NIU, this office hosts a monthly meet-up in the Founders Memorial Library called Write Place, Write Time, on the second Thursday of every month from 6-9pm. This group is ONLY for thesis and dissertation writers (or those writing proposals for such), so again, you are in good company if you attend. Having others working alongside you on the same kinds of tasks keeps you focused and activates that inner spectator who will tell you to "get back to work!"

The Magical Coffee Shop:

The indispensable coffee bar at Inquiring Minds Bookstore
(The bookstore that saved me! In Saugerties, NY)

It's a long-shot, but if you can find a coffee shop that tolerates working loiterers, isn't too loud, and has enough work space for you, you've found magic! Coffee shops were the first modern co-work spaces in the early 2000s when the dot-com bubble created thousands of telecommuters and office-less entrepreneurs. While that bubble has burst, many coffee shop owners still expect to see a good amount of labor happening at their tables. By my calculations though, I think it might be the same cost (and a surer thing) to rent a space at a co-working office. Those lattes are expensive, and loud people can ruin all your plans.

Good Luck!

If you are a person who has an awesome home-office situation that works for you, that is great. Or if you can work anywhere without feeling distracted, that's cool too! But for many of us, we need to remove ourselves from the dirty floors, dirty dishes, and hungry kids, or from the over-familiarity of the university office and library, in order to focus. I wish I could have brought that perfect bookstore home from the Catskills with me, but I couldn't. So I need to recreate a work space that uses the power of other people's work and the effects of a consistent but impersonal environment. I don't know how else to get things done. I hope you can find what works for your work too!

My Dissertation Boot Camp Experience

by Robyn Byrd

For the past eight years, Gail Jacky, Director of the University Writing Center at NIU, has had a summertime mission: getting dissertation writers to finish their dissertations! In June, July, and August, Gail runs what she calls Dissertation Boot Camps. Writers hole up in the Writing Center's isolated basement, and do nothing but write and snack. (And maybe talk a little.) The program's alumni are proof that this "retreat" method of retiring from the world for a few days is a proven winner for getting dissertation work done.

You may be wondering, "Why can't I just lock myself in my own basement for a week?" Well I'll tell you why, curious reader! I did the Boot Camp lite version last week (2-day camp versus 5-day camp) and here are the perqs of doing this with Gail in the UWC:

1) Healthy snacks, water, and coffee/tea are provided. No getting up to make food or brew a pot.

2) You work alongside other dissertation writers who are similarly focused and unfocused. You will all need to hole up, but you will all also need to take breaks. You can do so together if you like.

Jack London writing outside.
Idyllic! But not practical.

3) You work alongside a mildly busy office team. The UWC continues to meet with students (mostly graduate and adult students in the summer) during the Boot Camp, the phone continues to ring, and Gail continues to stay busy. No one is breathing down your neck, but they are present, creating an environment conducive to working productively.

4) Assistance is all around you. Gail and her team are ready and willing to read parts of your dissertation with you, during the camp. You will get the same attention they give their appointments, and quality tutoring and critiques for your writing. They can work with writers at any stage, from "Is this a bad idea to put this chapter here?" to "I'm almost done please check my citations!"

5) Most importantly, no matter what the UWC has or doesn't have to offer, it has this: IT'S NOT YOUR HOUSE. We all need to get out of our own spaces at times, or we get stuck in a rut. This is a chance to jump start your writing in a new place, a place where you don't have to answer the phone or worry about the dishes in the sink (there aren't any).

So don't lock yourself in your basement just yet! And don't go sit on a mountain top. There aren't any good snacks there.

As for me, I did not get a ton done in those two days, but my colleagues clacked away merrily all day. If I went again, I could make a better go of it, I think. I was delving back into my diss after a summer hiatus. What I did take away was a renewed understanding of what the heck I was writing, an organized to-do list for the rest of the summer, and about four new pages of material. That's not a lot of writing, but the executive function work I was able to do by being out of my house will lay the path for a lot more writing. I can see where I'm going now! I needed to temporarily remove my kids and my dirty floors from the view to be able to see the big picture.

So I highly recommend the camps to anyone who can swing it, at any stage of writing the dissertation or even the prospectus. But there are a couple things I would change:

Actual photo of me
in the cold writing center

1) I would like to see more programming. We did have encouragement from Gail and the opportunity to sit with tutors, but I wanted to talk and interface a little more. Just enough to break up the writing for a few. The longer 5-day session might be better for really digging in and yet having these opportunities.

2) The UWC is COLD!!! If you are one who starts wearing flip-flops on March 21, you will be very happy. If you are like me, and wish you lived in balmy Palm Springs or the like, you will be very cold. For myself and the older woman I sat with, we got very sluggish in the afternoons as 12 floors of cooled air sank its way further down into the basement of Stevenson Tower B. The camp could use a better location... but the cave-like nature of where the UWC sits now is probably an asset too.

Next week I am leaving for a writing retreat in the Catskills Mountains. I hope it'll be warm!

Announcing: Dissertation Boot Camps

A post-traditional NIU student
*trying* to work from home

This summer, for the eighth year, the University Writing Center at NIU is offering its Dissertation Boot Camps!

These camps are retreat-style workshops, presentations, and writing sessions for those who are in progress (past prospectus defense) on a dissertation in any field. What is retreat-style? That means you the Writing Center facilitates full-day schedules (from two days to a whole week), giving you dedicated writing time with interruptions from home life and other work. We all know it can be impossible to write at home with kids, pets, and responsibilities distracting us. Or even if you write at work... there is always other work! Dissertation Boot Camp is a chance to get away from everything that's been keeping you from writing, and work on your dissertation surrounded by peers with the same lofty goal: a done dissertation.

Quiet writing time in the lab
or around campus

In addition to long blocks of dedicated writing time (approx. 5 hours per day), Gail Jacky, director of the UWC and veteran writing tutor, will lead sessions on tackling writer's block, how to relax, and other common problems. Writing coaches will be available to give formal consultations and feedback, and talks with your peers can be just as fruitful.

Intellectual isolation from our family and friends can be almost as frustrating as not being able to find time to work around family and friends... so being in a cohort of dissertation-writing peers can also potentially alleviate the stresses of compartmentalizing everyday life and feeling alone in our struggles. Even if just for a few short days.

Schedules for the programs depend on the length of the workshop: the cost of the 2-day camp is $100, and the cost of the week-long camp is $250. Some writers decide to go ALL IN and stay overnights at NIU! The Holmes Student Center offers affordable lodging on campus, if your really need to get away and focus your time on your work.

Workshops run throughout the summer. You can make this fit around your summer vacation or work responsibilities:

Writers can chat, cheerlead, or just comisserate!

2-day Bootcamps

June 13-14
July 17-18
August 1-2

Week-long Bootcamps

June 25-29
July 23-27


Learn more at the UWC website, and email Gail Jacky with any questions!

Writing Happens Step by Step, Day by Day

“So…how’s that writing coming along?”  It seems the longer you’re engaged in your project, the more often this question—or one like it—finds a way into conversations with colleagues, friends, and family.  For insights on writing progress and occasional writing delays, below we share a few sources of wisdom from a little beyond the well-traveled paths.
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“Avoidant Syndrome”?
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Writers sometimes hit snags.  Perhaps you find yourself lingering over getting a part of your project started—or, even after starting on it, getting stuck and staying that way for a noticeable while.  Are you avoiding pressing tasks at hand?  Maybe.  But not all writing delays simply boil down to avoidance.  Writing can slow or come to a stop due to multiple factors, some beyond the writer’s control.  Yet if you experience a lengthy writing block that feels closely bound to thoughts of dodging criticism or rejection of your work, perhaps you’re flirting with what some call The Avoidant Syndrome.

I’m adapting the above terms and ideas, by the way, not so much from experience as from information about writing stoppage found on the detailed Website of A.R.T.S. Anonymous, an organization I hadn’t heard of until very recently.  As you might guess from their name, they’re a support group for creative people modeled on organizations that guide members as they follow a twelve-step program to recovery—the acronym in their name stands for Artists Recovering through the Twelve Steps.  OK, quick disclaimer.  My aim here is not to promote or question A.R.T.S. Anonymous (or any similar twelve-step programs).  Instead, I want to point out some of the principles that inform the way this support group treats the creative process and creative blocks, which share a few things in common with the writing process and writing blocks.  These principles can be of some use to anyone working toward completing a thesis or dissertation, perhaps the longest and most vexing writing project a grad student may ever face.
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Useful Insights
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Process, Not Product:  A.R.T.S. Anonymous outlines a path toward creative success in their list of Twelve Talents for a Good Life.  Item 11 in the list stresses that the creative process itself—rather than the product eventually created—is the artist’s (or writer’s) most valuable reward.  Useful for writers of all stripes, this principle is especially helpful for writers in the final composing phases of a master’s or doctoral program.  One of the biggest reasons such writers sometimes experience stoppages may be that the aimed-for product is so highly esteemed.  The thesis or dissertation is a mark of academic distinction that propels its author (you) through the beginning stages of the post-degree career.  It’s hard not to contemplate that weighty fact as you work on your project.  But heeding the principle of process over product healthily encourages you to defer such reflection until the most appropriate moments, which likely come after, not before, the process of writing the whole thing is complete.  

Setting Goals: In guidelines they provide for their initial meetings, A.R.T.S. Anonymous suggests that participating creators draw up a simple plan of tasks with projected completion dates.  The list they have in mind should be structured something like this:
Task 1 ______________  To be completed by ______________
Task 2 _____________    To be completed by ______________, etc.
Such a scheme is commonsensical and calls to mind the project-based angle on completing the thesis or dissertation, which this blog touched on last November in a review of the book Writing the Dissertation: A Systematic Approach.  Yet two bits of advice stand out in the A.R.T.S. Anonymous view on goal-setting: (1) you do need to jot down a projected completion date, but then (2) you shouldn’t feel pressure to complete the tasks in the order you list them or on the exact date you set.  At first glance, these tips seem contradictory, but they mesh with their process-over-product principle.  The essential message of A.R.T.S. Anonymous, once again, is that you must constantly engage in your creative endeavor.  Process is primary.  Time taken and final product are secondary concerns.  It’s a message that can certainly be of help to some of you in the thick of writing a thesis or dissertation. 

Daily Five Minutes:  A.R.T.S. Anonymous calls this 5 Alive, and it’s fundamental to their program.  The idea behind this potentially transforming practice is simple: devote five full minutes each day to your project.  Consider how just five minutes per day gradually adds up: after one week, you’ve put in 35 minutes, and after one month, nearly 2 1/2 hours.  Yet surely that short daily session can easily turn into a longer one, leading to more productive weeks and months.  And that’s the idea.  If you commit to a firm but manageable daily schedule, you’ll not only stay productive but often find yourself exceeding original expectations for your progress.  Writers sometimes employ similar schemes for individual composing sessions.  For example, the ten-minute freewrite: put pen to paper or hands on keyboard and write anything and everything that comes to mind, nonstop, for ten minutes.  No matter how unrefined or choppy, the text you compose in a freewriting session nearly always yields a phrase, sentence, group of thoughts, or some combination of these that you can build on as you work toward shaping your ideas in writing.  And last December, this blog detailed ways to organize a chunk of writing into four 25-minute sessions, a so-called Pomodoro.  But setting aside five solid minutes each day to your project is by far the simplest and most achievable benchmark we’ve come across.
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Routine is Key
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In summary, several ideas from A.R.T.S. Anonymous deserve consideration as you keep your writing going.  Most important is to make time for focused engagement with the writing process every day.  One last bit of related wisdom, which eloquently stresses some of the points raised above, especially the importance of daily writing: a short but powerful piece penned by detective and mystery novelist Walter Mosley, which appeared in The New York Times.  Happy Daily Writing!


Image Source: Wikimedia Commons

The Right Place to Write?

Mark Twain finishing a chapter?

NIU’s thesis and dissertation writing group, Write Place/Write Time, met yesterday from 6 to 9 p.m. for our first fall meet-up. Four of us convened in our clean, well-lighted place—reserved every second Thursday—next to the Fourth Floor East windows in Founders Memorial Library. After greeting and chatting briefly, we each got down to business: composing in a quiet environment largely removed from everyday distractions. A great experience!

Writing alongside others working on projects similar to your own has many benefits: structure, support, accountability, and a spirit of healthy competition (in the positive sense suggested by the Latin roots of compete: com- ‘together’ + petere ‘to strive’). In previous posts, this blog has featured excellent overviews of Write Place/Write Time and its benefits in the context of one dissertator's routine and schedule (May 20, 2016, and December 4, 2015). Here I’d like to add a bit more on the topic of the places where successful writing happens through sharing of a few pieces of literary trivia.

Other Writers, Other Places

Virginia Woolf once famously said, to be able to write one needs money and a room of one’s own (in reference to women writing fiction in Shakespeare’s day). As any grad student can tell you, she was right about the money part.  But what about that other part? Is a room of one’s own the optimal setting for good writing?

Georges Simenon--
I think he's the guy at the desk.

Settings you can’t call your own may very well feature all manner of unhelpful distractions. Perhaps that’s why Belgian novelist Georges Simenon strongly favored working in a room just for him. Creator of hundreds of detective novels, Simenon was “perhaps the most widely published author of the 20th century,” according to his official website. Simenon would reportedly complete a novel in about eleven days of isolated, non-stop writing. He would take breaks to eat and sleep, but during these writing stints he would speak to no one, take no phone calls, and never leave his room (Salgado 66). No word on whether he ever considered grad school.

Writing in your own space may help foster constructive writing methods. In his later years, as pictured above, Mark Twain apparently preferred to write in his bedroom while still in bed. Twain isn’t the only successful author who developed a fancy for horizontal composing. The approach has been taken up more recently by DeKalb High School graduate, novelist, and Stanford professor Richard Powers.

Richard Powers: Standing up at Stanford.

In a 2003 interview in The Paris Review, Powers related that his dream “has always been to suspend myself in space when I write, and lying horizontal in bed is the closest to doing that.” Perhaps this method is worth exploring.

Just as memorable and worth considering is Ernest Hemingway’s habit of writing in his bedroom while standing up. A fascinating portrait of Hemingway’s work habits appears in this 1958 interview in The Paris Review.


Summing Up: Write Place/Write Time

Ernest Hemingway thinking on his feet.

Certainly all writers need some sort of combination of place and time in order to get their writing done. May the above anecdotes and reading links refresh some of your ideas about writing, help you rethink places where your best writing happens, and inspire you to get back to it.

And remember: a room of our own is available every second Thursday in the library. We hope to see you there. Until then, happy writing!

                             Work Cited

Salgado, Gamini.  “The Novelist at Work.”  Novels and Novelists: A Guide to the World of Fiction.   Ed. Martin Seymour-Smith.  New York: St. Martin’s, 1980.  Print.

Write Place, Write Time

The Thesis and Dissertation office has received some queries about our Write Place, Write Time office sponsored writing group (click here for a short article on the group courtesy of NIU Today). I thought that it might be beneficial to use this week's blog to explain the writing group in a little more detail.

Once a month -- the second Thursday of every month to be exact, from 6pm to 9pm -- our office has reserved a space -- the Dissertation room located on the fourth floor of Founder's Library  -- for graduate students to sit in a quiet space and write their thesis or dissertation. I emphasize write because that is the primary purpose of the group.

I am a non-traditional graduate student with an overloaded schedule comprised of family and work obligations. As a consequence, it is difficult for me to find the time -- not to mention a quiet space -- at home to write. When I do manage to eke out an hour here or there, it is not uncommon for outside distractions to find their way into my head -- I am thinking about making school lunches for the next day, errands I have to run, chores that need to be finished, bills that have to be paid, etc. All of the sudden, those become my primary focus and no writing gets done.

The beauty about Write Place, Write Time is that there are no outside distractions. I let my kids know well in advance that on the second Thursday of every month there will be a three hour period when they will not be able to get in touch with me because I need that time to work. I don't use these three hours for research, data analysis, or worrying about how to format my dissertation according to the office guidelines. I just focus on writing.

Once I walk into the room, I set down my bags and turn off my phone -- well, I silence the ringer because I have kids and I need to be reachable in case of an emergency, but I place it on the table screen down so that I am not easily distracted. I write my rough drafts out by hand, so the next thing I do is take out my composition book and a pencil. I devote the first ten to fifteen minutes to reviewing content that I have already written, taking the time to do minimal proofreading, but mostly this is to remind myself where I left off. Before coming into the room, I've done my reading, I've made notes on relevant research, and most importantly, I know what comes next in the chapter. When necessary, I make sure that all of my notes and primary texts are spread out in front of me for quick and easy reference. Once all of that is taken care of, I start writing.

Within the first twenty minutes, I am composing new material for whatever chapter on which I am working. I work hard for an hour and break for a quick snack or dinner -- there are no fridges in the room and since I have a pretty strict diet, I typically pack something in tupperware for a quick meal. After a twenty minute dinner break, I write for another hour or so, and then I use the remaining time to go over all of the new material before packing up and calling it a night. Thus far, there have only been two sessions of Write Place, Write Time and I've managed to write one new chapter and finish revising a second. And these are not perfect chapters. Far from it. They are horrible first drafts that I know are in dire need of future correction. The important thing is: they are done. By the way, I should mention that if you have a chapter written but need the time to do a rewrite after corrections suggested by your committee, Write Place, Write Time is the ideal venue.

Now, don't get me wrong -- I do my best to be courteous. This means that I make the time to acknowledge everyone else in the room. However, we are all there to write. This means that socializing is not the priority. This is the unspoken agreement. If I do need to speak with someone in depth about something, we step out, go downstairs to the basement of the library, and grab a coffee -- yes, there is a coffee bar in the library if you need some late night caffeine, though I am not sure how late they are open. Even then I keep it to a minimum because I set aside time in my unbelievably busy schedule to write. I will not get this opportunity again -- at least, not until the next meeting.

Even though office staff participates in these writing group sessions, we aren't really there to help with questions about forms, thesis guidelines, or concerns about how to suppress a page number or set up Tables and Figures -- watch for upcoming presentations and workshops on these topics -- or to proofread people's work -- feel free to drop by Adams Hall, room 104 during office hours as we will be open all summer. If a question does come up, we will do our best to answer it; however, our task is to help keep everyone on task by ensuring a distraction free zone.

Anecdotal evidence and statistical data reflect that the most common reason many graduate students do not complete their graduate program is: they never found the time to write their thesis or dissertation. Write Place, Write Time has been set up to try to alleviate this problem. We want you to succeed as much as you want to succeed.

If you're still not sure if Write Place, Write Time is for you, please feel free to raise your concerns on our Facebook group page; send an email to the office; post a comment on this blog; better yet, drop in during the next session -- we meet on June 9.